New Release: Disappearing
30 Apr 2019

New Release: Disappearing

30 Apr 2019
I’m usually the person reminding my creative friends that “Not everything needs to be a masterpiece,” but sometimes I forget that myself. Sometimes a song just wants to stay modest and doesn’t need to be your own Bohemian Rhapsody. That’s the story of this latest single called Disappearing.

I had Disappearing finished for a while, but since it was so short (1:20 min) I never considered it done. However, every time I listened to it, I didn’t feel like it needed anything else. My final adjustment to the song was to add a meaningful field recording at the end during the mastering phase. This brought the song to an epic 1 minute and 35 seconds! But maybe a song called “Disappearing” doesn’t need to drag on and on…

The song was written fairly quickly earlier this year while I was in a reclusive aka “hermit” period. I spend hours sometimes going through the thousands of different keyboard sounds in my music production software, adding the sounds I like to various “favorites” lists. During this time-consuming process, I get to freely improvise on the keyboard and make up random micro-songs based on how the various sounds make me feel. That’s when I found the main “pad” sound that makes up the majority of Disappearing. It’s a setting on a software version of the Yamaha DX7 synth, from the late 1980s.

While I played the chord pattern, the lyrics came out pretty naturally without much belaboring. I like that the flow is a little bit reminiscent of the sing-rap style of Drake or Khalid–it’s a bit different for me. BTW, I cut a sped up 1-minute version that I used for an Instagram post.

The song’s subject matter is halfway between self-deprecating and actually concerned. LOL. I sometimes get into periods where I have conflicting feelings of being too isolated, but also feel antisocial at the same time. So I was hibernating and reflecting on topics including legacy, mortality, and what people choose to do with their limited existence. It culminated into the concept of “disappearing” if you’re not present in anyone else’s life.

The final addition to Disappearing was a meaningful sample that I got from my friend Mike Harrison, who passed away last year. He made a bunch of field recordings during a trip to Japan in 2016, most of which were of busy streets, arcades, and mass transit. But there was one of crows in a field. If there are any old-school Ming & Ping fans reading, you might know that I’ve often used a crow as a stand-in for myself in Ming & Ping’s music and even some photos, like this one by Julie Klima. It’s also in the lyrics of Ming & Ping’s most popular song, Beautiful Things:

“All the people scream for their dead dreams
And tell you not to try ‘cause you won’t fly
And you just watch the show like a black crow
You just watch the show like a black crow.”

– Ming & Ping, “Beautiful Things”

 

 

The crow is basically a symbol of actual BAO creeping in the background while my eccentric art takes the spotlight. The crows also reminded me of my late friend Mike, whose legacy will always be a strong and beautiful one with the people who knew him. I just wanted to pay tribute to something we had in common: being innately antisocial while making weird eccentric art.

Thanks for reading. If you’d like to support my work, here are a few other ways:

Thank you!
❤ BAO

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